Top 10 Highest-Rated Movies on Letterboxd
Letterboxd has become the world's most trusted cinephile community — a place where millions of dedicated film lovers log, rate, and obsess over movies with far more rigor than mainstream review sites. Its highest-rated films aren't always the most popular ones; they're the films that critics, programmers, and serious moviegoers return to again and again. We've assembled the 10 movies sitting at the very top of Letterboxd's all-time chart, the films its community considers untouchable. If IMDb represents popular consensus, Letterboxd represents informed obsession — and these are the films that earn near-perfect ratings from people who watch hundreds of movies a year.
Top Picks
- 1
Parasite (2019)
Letterboxd's reigning modern champion. Bong Joon-ho's genre-shifting class allegory dominated the platform on release and has barely budged since — the rare film cinephiles agree on completely.
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Come and See (1985)
The Soviet anti-war film Letterboxd cinephiles call "the most devastating film ever made." Klimov's hallucinatory portrait of a child surviving Belarus under Nazi occupation is required viewing on the platform.
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The Godfather (1972)
Letterboxd's classic anchor. Even cinephiles who push back on canonical lists keep The Godfather at the top — Coppola's craft is simply undefeated.
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Dilwale Dulhania Le Jayenge (1995)
The unexpected Letterboxd phenomenon — Bollywood's most beloved romance has near-perfect ratings on the platform thanks to a global community that refuses to let Western canon dominate.
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The Godfather Part II (1974)
Letterboxd users consistently call this the rare sequel that surpasses the original. The De Niro flashbacks and the Fredo betrayal are the platform's most-quoted scenes.
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Grave of the Fireflies (1988)
Studio Ghibli's most devastating film. Letterboxd reviews are essentially uniform: "I will never watch this again, but everyone needs to see it once." A near-perfect rating earned through emotional damage.
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12 Angry Men (1957)
The single-room jury drama that taught Letterboxd users what minimalist filmmaking can achieve. Lumet's debut is permanently top-5 on the platform.
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Psycho (1960)
Letterboxd's anchoring Hitchcock. The shower scene gets dissected weekly on the platform, and Anthony Perkins' Norman Bates remains the most analyzed performance in classic cinema.
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Cinema Paradiso (1988)
The film about loving cinema, beloved by people who love cinema. Letterboxd's ultimate meta-favorite — the ending sequence is one of the platform's most-tagged "made me cry" moments.
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Whiplash (2014)
Damien Chazelle's two-hander between drumming and abuse. Letterboxd's modern obsession — the final 10 minutes are the most-rewatched sequence of the 2010s on the platform.
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